TY - BOOK
TI - The Man Who Shot Liberty Valance
AU - Yogerst, Chris
T2 - Reel West
CY - Albuquerque
DA - 2024///
PY - 2024
PB - University of New Mexico Press
ER -
TY - BOOK
TI - The Warner Brothers
AU - Yogerst, Chris
T2 - Screen classics
AB - "One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers-Harry, Albert, Sam, and Jack-whose vision for Hollywood helped shape the world of entertainment as we know it. In The Warner Brothers, Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat-and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come"--
CN - PN1999.W3 Y65 2023
CY - Lexington, Kentucky
DA - 2023///
PY - 2023
DP - Library of Congress ISBN
PB - The University Press of Kentucky
SN - 978-0-8131-9801-9
N1 - Prologue : put up or shut up -- Manifest destiny : origins to 1923 -- Incorporation, innovation, triumph, and tragedy : 1923-1929 -- Battling the depression, censors, and stars : 1930-1936 -- Fighting fascism, America firsters, and the US senate : 1937-1941 -- The war years : 1942-1945 -- Postwar politics, HUAC, and the blacklist : 1946-1947 -- Last gasp of old Hollywood : 1948-1955 -- End of the studio, end of the family : 1956-1959 -- A new Hollywood rises : 1960-1978 -- Coda : as time goes by -- Afterword / by Michael Uslan
KW - History
KW - United States
KW - Biography
KW - Motion picture industry
KW - California Los Angeles
KW - Executives
KW - Motion picture producers and directors
KW - Motion picture studios
KW - Warner Bros. Pictures (1923-1967)
ER -
TY - BOOK
TI - Hollywood hates Hitler! Jew-baiting, anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures
AU - Yogerst, Chris
AB - "In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of the conditions in Europe. After Kristallnacht (the Night of Broken Glass), the gloves came off. Warner Bros. released the first directly anti-Nazi film in 1939 with Confessions of a Nazi Spy. Other studios followed with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man I Married (Fox), and The Great Dictator (United Artists). While these films represented a small percentage of Hollywood's output, senators took aim at the Jews in Hollywood who were supposedly "agitating us for war" and launched an investigation that resulted in Senate Resolution 152. The resolution was aimed at both radio and movies that "have been extensively used for propaganda purposes designed to influence the public mind in the direction of participation in the European war." When the Senate approved a subcommittee to investigate the intentions of these films, studio bosses were ready and willing to stand up against the government to defend their beloved industry. What followed was a complete embarrassment of the United States Senate and a large victory for Hollywood as well as freedom of speech. Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, author Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing the isolationist senators' relationship with the America First movement. Through his use of primary documents and lengthy congressional records, Yogerst paints a picture of the investigation's daily events both on Capitol Hill and in the national press"--
CN - PN1993.5.U6
CY - Jackson
DA - 2020///
PY - 2020
DP - Library of Congress ISBN
PB - University Press of Mississippi
SN - 978-1-4968-2980-1 978-1-4968-2977-1 978-1-4968-2978-8 978-1-4968-2979-5
N1 - Competing ideologies in dangerous times -- Hollywood, fascism, and Jew-baiting prior to 1939 ; Hollywood and anti-fascism, 1939-1940 ; Isolationists push back -- Senator Nye "unloosed" on Hollywood ; Champ Clark doubles down -- John T. Flynn, "nasty man" ; Fidler fiddles ; First recess, media frenzy -- Schenck stands strong ; Dietz delievers -- Warner's war ; Zanuck, Balaban, and the wild finish ; Second recess, national unity, and the end of the investigation ; Overshadowed by history
KW - Political aspects
KW - History
KW - United States
KW - Censorship
KW - Motion pictures
KW - Anti-Nazi movement in motion pictures
ER -
TY - BOOK
TI - From the headlines to Hollywood: the birth and boom of Warner Bros
AU - Yogerst, Chris
T2 - Film and history
CN - PN1999.W3 Y64 2016
CY - Lanham, Maryland
DA - 2016///
PY - 2016
DP - Library of Congress ISBN
SP - 227
PB - Rowman & Littlefield
SN - 978-1-4422-6245-4
ST - From the headlines to Hollywood
KW - History
KW - California Los Angeles
KW - Motion picture studios
KW - Warner Bros. Pictures (1923-1967)
ER -
TY - JOUR
TI - A Face in the Crowd (1957): History and Relevancy, from the Dawn of Television to the Digital Age
AU - Yogerst, Chris
T2 - Journal of Popular Film and Television
DA - 2021/01/02/
PY - 2021
DO - 10.1080/01956051.2020.1772710
DP - DOI.org (Crossref)
VL - 49
IS - 1
SP - 16
EP - 29
J2 - Journal of Popular Film and Television
LA - en
SN - 0195-6051, 1930-6458
UR - https://www.tandfonline.com/doi/full/10.1080/01956051.2020.1772710
Y2 - 2023/07/24/20:35:50
ER -
TY - JOUR
TI - Searching for common ground: hollywood prior to the senate investigation on motion picture propaganda, 1935–1941
AU - Yogerst, Chris
T2 - Historical Journal of Film, Radio and Television
DA - 2019/10/02/
PY - 2019
DO - 10.1080/01439685.2019.1600918
DP - DOI.org (Crossref)
VL - 39
IS - 4
SP - 725
EP - 748
J2 - Historical Journal of Film, Radio and Television
LA - en
SN - 0143-9685, 1465-3451
ST - Searching for common ground
UR - https://www.tandfonline.com/doi/full/10.1080/01439685.2019.1600918
Y2 - 2023/07/24/20:36:51
ER -
TY - JOUR
TI - Rod Serling’s Vast Promised Land: Battling Sponsors, Debating the FCC and Fighting for Mature Television, 1959–1966
AU - Yogerst, Chris
T2 - Historical Journal of Film, Radio and Television
DA - 2018/10/02/
PY - 2018
DO - 10.1080/01439685.2017.1369672
DP - DOI.org (Crossref)
VL - 38
IS - 4
SP - 828
EP - 842
J2 - Historical Journal of Film, Radio and Television
LA - en
SN - 0143-9685, 1465-3451
ST - Rod Serling’s Vast Promised Land
UR - https://www.tandfonline.com/doi/full/10.1080/01439685.2017.1369672
Y2 - 2023/07/24/20:37:39
ER -
TY - JOUR
TI - Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932)
AU - Yogerst, Chris
T2 - The Journal of American Culture
DA - 2017/06//
PY - 2017
VL - 40
IS - 2
SP - 134
EP - 144
ER -
TY - CHAP
TI - Image Management and the Fall of Hollywood’s Golden Age
AU - Yogerst, Chris
T2 - Oxford Handbook on American Film History
A2 - Lewis, Jon
CY - Oxford, UK
DA - Forthcoming
PY - Forthcoming
PB - Oxford University Press
ER -
TY - MGZN
TI - How the Warner Brothers Got Their Film Business Started
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2023/04/04/
PY - 2023
ER -
TY - MGZN
TI - What Studio Franchises Can Learn from the Rise, Fall and Rise of the Western
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2023/03/21/
PY - 2023
ER -
TY - MGZN
TI - How Babylon Chases Hollywood’s Decadent Past
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2022/12/23/
PY - 2022
ER -
TY - MGZN
TI - Orson Welles’ ’War of the Worlds’ Broadcast: Its Ominous Echoes For a Fractured Media
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2023/10/28/
PY - 2023
ER -
TY - MGZN
TI - When Hollywood Was Punished for its Anti-Nazism
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2023/09/22/
PY - 2023
ER -
TY - MGZN
TI - 100 Years Ago: How Hollywood’s Self-Censorship Battles Shaped the MPA
AU - Yogerst, Chris
T2 - The Hollywood Reporter
DA - 2022/09/02/
PY - 2022
ER -
TY - MGZN
TI - The Oskar Schindler of Hollywood
AU - Yogerst, Chris
T2 - Los Angeles Review of Books
DA - 2021/10/26/
PY - 2021
ER -
TY - BOOK
TI - Enchanted by Cinema: Wilhelm Thiele Between Vienna, Berlin, and Hollywood
A3 - Horak, Jan-Christopher
A3 - Seyfert, Andréas-Benjamin
CY - New York
DA - 2023///
PY - 2023
PB - Berghahn Books
ER -
TY - BOOK
TI - The optical vacuum: spectatorship and modernized American theater architecture
AU - Szczepaniak-Gillece, Jocelyn
CN - PN1995.9.S6 S93 2018
CY - New York
DA - 2018///
PY - 2018
DP - Library of Congress ISBN
SP - 198
PB - Oxford University Press
SN - 978-0-19-068935-3 978-0-19-068936-0
ST - The optical vacuum
N1 - Includes index
KW - Social aspects
KW - History
KW - United States
KW - Social life and customs
KW - 20th century
KW - Motion pictures
KW - Motion picture audiences
KW - Motion picture theaters
ER -
TY - JOUR
TI - Bombed Pasts, Burning Futures: Notes on Demolition and Exhibition
AU - Szczepaniak-Gillece
T2 - Framework: The Journal of Cinema and Media
DA - 2021///
PY - 2021
DO - 10.13110/framework.62.2.0172
DP - DOI.org (Crossref)
VL - 62
IS - 2
SP - 172
J2 - Framework: The Journal of Cinema and Media
SN - 03067661
ST - Bombed Pasts, Burning Futures
UR - https://muse.jhu.edu/article/839450
Y2 - 2023/07/26/00:25:44
ER -
TY - JOUR
TI - Technologies of Blackness: Aldo Tambellini, Psychedelia, Widescreen, Media
AU - Szczepaniak-Gillece, Jocelyn
T2 - Cultural Critique
DA - 2021/06//
PY - 2021
DO - 10.1353/cul.2021.a790984
DP - DOI.org (Crossref)
VL - 112
IS - 1
SP - 59
EP - 92
J2 - cul
LA - en
SN - 1460-2458
ST - Technologies of Blackness
UR - https://muse.jhu.edu/article/790984
Y2 - 2023/07/26/00:26:09
ER -
TY - CHAP
TI - Operatic Optics: The Luxury of Listening in American Art House Exhibition
AU - Szczepaniak-Gillece, Jocelyn
T2 - Oxford Handbook on Cinematic Listening
A2 - Genciarelli, Carlo
CY - Oxford, UK
DA - 2021///
PY - 2021
SP - 156
EP - 17-
PB - Oxford University Press
ER -
TY - JOUR
TI - Revisiting the apparatus: the theatre chair and cinematic spectatorship
AU - Szczepaniak-Gillece, Jocelyn
T2 - Screen
DA - 2016/09//
PY - 2016
DO - 10.1093/screen/hjw030
DP - DOI.org (Crossref)
VL - 57
IS - 3
SP - 253
EP - 276
J2 - Screen
LA - en
SN - 0036-9543, 1460-2474
ST - Revisiting the apparatus
UR - https://academic.oup.com/screen/article-lookup/doi/10.1093/screen/hjw030
Y2 - 2023/07/26/00:29:02
ER -
TY - JOUR
TI - Smoke and Mirrors: Cigarettes, Cinephilia, and Reverie in the American Movie Theater
AU - Szczepaniak-Gillece, Jocelyn
T2 - Film History
DA - 2016///
PY - 2016
DO - 10.2979/filmhistory.28.3.05
DP - DOI.org (Crossref)
VL - 28
IS - 3
SP - 85
J2 - Film History
SN - 08922160
ST - Smoke and Mirrors
UR - https://muse.jhu.edu/article/640055
Y2 - 2023/07/26/00:29:44
ER -
TY - BOOK
TI - Movies Under the Influence
AU - Szczepaniak-Gillece, Jocelyn
CY - Minneapolis
DA - Forthcoming
PY - Forthcoming
PB - University of Minnesota Press
ER -
TY - BLOG
TI - Harry Anslinger Goes to the Movies: To the Ends of the Earth
AU - Szczepaniak-Gillece, Jocelyn
T2 - Points: Joint Blog of the Alcohol & Drugs History Society and the American Institute of the History of Pharmacy
DA - 2021/05/20/
PY - 2021
ER -
TY - BOOK
TI - Gene Tierney: Star of Hollywood's Home Front
AU - Scheibel, Will
T2 - Contemporary Approaches to Film and Media
AB - "This book does not presume to recover and speak for the "real" Tierney, nor does it speculate about her thoughts and feelings, which one cannot ever "really" know. But it does seek to restore some of her historical subjectivity that her monolithic reputation obscures. Despite the homogeneity of her contemporary image as the "the girl in the portrait," the structuring absence in Laura, her star-making, unmaking, and eventual remaking suggests considerable variability as a pinup girl, worker in a public labor force, army wife, mother, female psychiatric subject, and comeback star. Hollywood participated in the creation of a public sphere that allowed for the negotiation of women's everyday lives contemporaneous with the war and its aftermath-what we might call a "home-front modernity"-and gave rise to stars such as Tierney, whose home-front activities will be the subjects of the chapters that follow. The Hollywood star system in 1940s was different from what audiences had seen previously because, as Sean Griffin states in the introduction to his collection What Dreams Were Made Of, "stars increased their actual physical presence among the rest of the population, strengthening their connections to the general public." Studios helped maintain these connections by staging conversations about wartime and postwar experiences for the U.S. home front, a space emotionally and psychologically affected by World War II even if geographically distant from where it was fought. Here, stars such as Tierney appeared to share similar experiences as their audiences. Contextualizing the processes that made Tierney one of Fox's top stars of the 1940s, this book aims to understand her stardom through a "domestic" history of her period, an alternative to masculinist narratives of war effort and postwar trauma, at the same time as it hopes to redress the generalizations about her career"--
CN - PN2287.T48 S35 2022
CY - Detroit
DA - 2022///
PY - 2022
DP - Library of Congress ISBN
SP - 267
PB - Wayne State University Press
SN - 978-0-8143-4821-5 978-0-8143-4820-8
ST - Gene Tierney
KW - United States
KW - Criticism and interpretation
KW - Motion picture actors and actresses
KW - Mental health
KW - Tierney, Gene
ER -
TY - BOOK
TI - Leonard Maltin's 2014 Movie Guide: The Modern Era
AU - Maltin, Leonard
AB - America's most trusted film critic highlights the best movies, whether readers are in the mood for a Hollywood hit or a little-known gem
CY - New York
DA - 2013///
PY - 2013
DP - Open WorldCat
LA - eng
PB - Plume Books
SN - 978-0-14-218055-6
ER -
TY - BOOK
TI - Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide: From the Silent Era Through 1965: Third Edition
AU - Maltin, Leonard
A3 - Edelman, Rob
A3 - Green, Spencer
A3 - Maltin, Leonard
A3 - Scheinfeld, Michael
A3 - St. Charnez, Casey
A3 - Weaver, Tom
AB - "Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin's Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin' in the Rain and Godzilla, King of the Monsters! Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin's personal recommendations, and more than two hundred new entries - including many offbeat and obscure films - this new edition is a must-have companion for every movie lover."--Pengin Books website
CN - PN1998 .L359 2015
CY - New York, New York
DA - 2015///
PY - 2015
DP - Library of Congress ISBN
ET - 3rd edition
SP - 848
PB - Plume, an imprint of Penguin Random House LLC
SN - 978-0-14-751682-4
N1 - "More than 10,000 movies from the silent era through 1965"--Cover "A Plume book"--T.p Includes indexes
KW - Motion pictures
KW - Catalogs
KW - DVD-Video discs
KW - Video recordings
ER -
TY - BOOK
TI - Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom
AU - Maltin, Leonard
AB - "In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. Early Maltin interviews had literally been stored in his garage for more than 40 years until GoodKnight Books brought them to light for the first time in this volume to entertain readers and inform future film scholars. In addition, key feature articles from Maltin's newsletter Movie Crazy are published here for the first time, providing new perspectives on the Warner Bros. classics Casablanca and Gold Diggers of 1933 as well as many other masterpieces--and bombs--from Hollywood history. Finally, Maltin looks back at what he considers Hollywood's "overlooked" studio, RKO Radio Pictures, which gave us such classics as King Kong and the many dance musicals of Astaire and Rogers. In Leonard's unique and witty style, he looks at dozens of obscure RKO features from the 1930s, including saucy pre-Codes, musicals, comedies, and mysteries. Leonard Maltin's love of movies and vast knowledge about their history shines through from the first page to the last in this unique volume, which includes 150 rare photos and a comprehensive index."--
CN - PN1993.5.U65 M286 2018
CY - Pittsburgh, Pennsylvania
DA - 2018///
PY - 2018
DP - Library of Congress ISBN
SP - 384
PB - GoodKnight Books
SN - 978-0-9983763-9-4
ST - Hooked on Hollywood
N1 - Hollywood featurettes. All the music of Casablanca ; Blues in the night ; Where did the music go? ; Remembering forgotten men ; Grade B--but choice ; Act three: television ; Here we go again -- Early interviews. Introduction: Seeing stars ; Anita Loos ; Burgess Meredith ; Robert Youngson ; Joan Blondell ; Mitchell Leisen ; Henry Wilcoxon ; George O'Brien ; Ralph Bellamy ; Madge Evans -- Later in-depth interviews. John Cromwell ; Peggy Webber ; Arthur Gardner ; Marc Connelly ; Paul Wurtzel ; Dick Jones ; Leslie H. Martinson -- The forgotten studio. RKO revisited
N1 - Includes index "Portions of this book originally appeared in Film Fan Monthly and Leonard Maltin's Movie Crazy newsletter"--Title page verso
KW - History
KW - United States
KW - California
KW - Motion pictures
KW - Motion picture actors and actresses
KW - Motion picture industry
KW - California Los Angeles
KW - Motion picture producers and directors
KW - Interviews
KW - Los Angeles
ER -
TY - BOOK
TI - Starstruck: My Unlikely Road to Hollywood
AU - Maltin, Leonard
AB - Hollywood historian and film reviewer Leonard Maltin invites readers to pull up a chair and listen as he tells stories, many of them hilarious, of 50+ years interacting with legendary movie stars, writers, directors, producers, and cartoonists. Maltin grew up in the first decade of television, immersing himself in TV programs and accessing 1930s and '40s movies hitting the small screen. His fan letters to admired performers led to unexpected correspondences, then to interviews and publication of his own fan magazine. Maltin's career as a free-lance writer and New York Times-bestselling author as well as his 30-year run on Entertainment Tonight, gave him access to Katharine Hepburn, Elizabeth Taylor, Sean Connery, Shirley Temple, and Jimmy Stewart among hundreds of other Golden Age stars, his interviews cutting through the Hollywood veneer and revealing the human behind each legend. Starstruck also offers a fascinating glimpse inside the Disney empire, and Maltin's tenure teaching USC's popular film course reveals insights into moviemaking along with access to past, current, and future stars of film, such as George Lucas, Kevin Feige, Quentin Tarantino, and Guillermo del Toro
CN - 791.43092
CY - Pittsburgh, Pennsylvania
DA - 2021///
PY - 2021
DP - Library of Congress ISBN
SP - 307
PB - GoodKnight Books, an imprint of Paladin Communications
SN - 978-1-73527-381-5
ST - Starstruck
N1 - Includes index
KW - History
KW - United States
KW - Motion pictures
KW - Biography
KW - Autobiographies
KW - Biographies
KW - Film critics
KW - Film historians
KW - Maltin, Leonard
ER -
TY - BOOK
TI - Amateur Cinema: The Rise of North American Moviemaking, 1923-1960
AU - Tepperman, Charles
AB - "From the very beginning of cinema, there have been amateur filmmakers at work. It wasn't until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the 'amateur' in film history and modern visual culture. In the middle decades of the twentieth century--the period that saw Hollywood's rise to dominance in the global film industry--a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that spawned dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of 'advanced' amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films"--Provided by publisher
CN - PN1995.8 .T46 2015
CY - Berkeley, Calif.
DA - 2015///
PY - 2015
DP - Library of Congress ISBN
SP - 364
PB - University of California Press
SN - 978-0-520-27985-8 978-0-520-27986-5
ST - Amateur cinema
N1 - Cin-prophecy : the emergence of amateur cinema (1925-1930) -- Cin-community : the first wave of amateur film culture (1930-1945) -- Cin-engagement : amateurs and current events -- Cin-technology : machine art for a machine age -- Cin-sincerity: postwar amateur film culture (1945-1960) -- Modes of amateur cinema -- Amateur chronicles of family, community and travel -- Amateur experimentation and the aesthetic vanguard -- Mechanical craftsmanship : amateurs making practical films -- Photoplaying themselves : amateur fiction films
KW - Amateur films
KW - 20th century
KW - North America
KW - Production and direction History
ER -
TY - JOUR
TI - The complex materiality of amateur cinema research: texts, archives and digital methods Introduction
AU - Tepperman, Charles
T2 - Screen
DA - 2020/03/01/
PY - 2020
DO - 10.1093/screen/hjaa006
DP - DOI.org (Crossref)
VL - 61
IS - 1
SP - 119
EP - 123
LA - en
SN - 0036-9543, 1460-2474
ST - The complex materiality of amateur cinema research
UR - https://academic.oup.com/screen/article/61/1/119/5825676
Y2 - 2023/07/26/20:05:14
ER -
TY - JOUR
TI - “A Recognized Screen”: The New York Annual Movie Parties from Parlor to Public
AU - Tepperman, Charles
T2 - Film History
DA - 2018///
PY - 2018
DO - 10.2979/filmhistory.30.1.04
DP - DOI.org (Crossref)
VL - 30
IS - 1
SP - 58
J2 - Film History
SN - 08922160
ST - “A Recognized Screen”
UR - https://muse.jhu.edu/article/697535
Y2 - 2023/07/26/20:12:15
ER -
TY - ELEC
TI - Amateur Cinema
AU - Tepperman, Charles
T2 - Amateur Cinema
DA - 2023///
PY - 2023
UR - http://amateurcinema.org/
Y2 - 2023/07/26/20:15:09
L2 - http://amateurcinema.org/
ER -
TY - BOOK
TI - Shadow of the New Deal: The Victory of Public Broadcasting
AU - Shepperd, Josh
T2 - The History of Media and Communication
AB - "Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the National Association of Educational Broadcasters (NAEB) and its drive to create what became the Public Broadcasting Service and National Public Radio. Founded in 1934, the NAEB began as a disorganized coalition of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media campaign premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond"--
CN - HE8689.7.P82 S56 2023
CY - Champaign, Illinois
DA - 2023///
PY - 2023
DP - Library of Congress ISBN
PB - University of Illinois Press
SN - 978-0-252-04511-0 978-0-252-08725-7
ST - Shadow of the New Deal
N1 - Advocacy: media reform, from activism to advocacy: before and after the Communications Act of 1934 -- Funding: the philanthropic mandate for collaboration between educational and commercial broadcasters -- Distribution and facilities: America's public media industry: from the Rocky Mountain Radio Council to the National Bicycle network -- Research and development: the emergence of communication: reception research as a strategic tool of media reform -- Policy: public media policy, 1934-1967--lessons from reform history -- Conclusion
KW - History
KW - United States
KW - Television broadcasting
KW - National Association of Educational Broadcasters
KW - Public broadcasting
KW - Radio broadcasting
ER -
TY - BOOK
TI - Criminalization/Assimilation: Chinese/Americans and Chinatowns in Classical Hollywood Film
AU - Gates, Philippa
CN - PN1995.9.C475 G38 2019
CY - New Brunswick, New Jersey
DA - 2019///
PY - 2019
DP - Library of Congress ISBN
SP - 294
PB - Rutgers University Press
SN - 978-0-8135-8942-8 978-0-8135-8941-1
ST - Criminalization/assimilation
N1 - Pt. 1. Hollywood's Chinese America -- Introduction -- Yellow peril, protest, and an orientalist gaze: Hollywood's constructions of Chinese/Americans -- Pt. 2. Chinatown crime -- Imperilled imperialism: Tong wars, slave girls, and opium dens -- The whitening of Chinatown: action cops and upstanding criminals -- Pt. 3. Chinatown melodrama -- The perils of proximity: white downfall in the Chinatown melodrama -- Tainted blood: white fears of yellow miscegenation -- Pt. 4. Chinese American assimilation -- Assimilation and tourism: Chinese American citizens and Chinatown rebranded -- Assimilating heroism: the Chinese American as American action hero -- Epilogue
KW - History
KW - United States
KW - 20th century
KW - Motion pictures
KW - Chinatowns in motion pictures
KW - Chinese Americans in motion pictures
KW - Stereotypes (Social psychology) in motion pictures
ER -
TY - BOOK
TI - Detecting Women: Gender and the Hollywood Detective Film
AU - Gates, Philippa
CN - PN1995.9.D4 G385 2011
CY - Albany
DA - 2011///
PY - 2011
DP - Library of Congress ISBN
SP - 400
PB - SUNY Press
SN - 978-1-4384-3405-6 978-1-4384-3404-9
ST - Detecting women
N1 - The crime lab : gender and the detective genre -- The rise and demise of the classical female detective, 1929 to 1950 -- From crime-fighter to crime scene investigator, 1970 to today
KW - United States
KW - History and criticism
KW - Women in motion pictures
KW - Detective and mystery films
KW - Women detectives in motion pictures
ER -
TY - JOUR
TI - Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s
AU - Gates, Philippa
T2 - Journal of Film and Video
DA - 2017/12/01/
PY - 2017
DO - 10.5406/jfilmvideo.69.4.0003
DP - DOI.org (Crossref)
VL - 69
IS - 4
SP - 3
EP - 17
LA - en
SN - 0742-4671, 1934-6018
ST - Crossing America’s Borders
UR - https://scholarlypublishingcollective.org/jfv/article/69/4/3/223730/Crossing-America-s-Borders-Chinese-Immigrants-in
Y2 - 2023/07/26/20:20:14
ER -
TY - CHAP
TI - Controlling Racism: The Production Code Administration and the Representation of Chinese/Americans
AU - Gates, Philippa
T2 - Resetting the Scene: Classical Hollywood Revisited
A2 - Gates, Philippa
A2 - Spring, Katherine
T3 - Contemporary approaches to film and media series
CN - PN1993.5.U65 R47 2021
CY - Detroit
DA - 2021///
PY - 2021
DP - Library of Congress ISBN
SP - 155
EP - 68
PB - Wayne State University Press
SN - 978-0-8143-4779-9 978-0-8143-4780-5
KW - History
KW - California
KW - Motion pictures
KW - Production and direction
KW - California Los Angeles
KW - Los Angeles
KW - Production and direction History
KW - Motion pictures, American
ER -
TY - CHAP
TI - Objects of an Orientalist Gaze: Chinese Immigrants in American Silent Film
AU - Gates, Philippa
T2 - Asian American Literature in Transition, 1850-1930
A2 - Lee, Josephine
A2 - Lee, Julia H.
T3 - Asian American literature in transition
AB - "The years between 1850 and 1930 witnessed the first largescale migration of peoples from East Asia and South Asia to North America and the emergence of the US as an imperial power in the Pacific. This period also produced the first instances of Asian North American writing, theater, and film. This exciting collection examines how the many literary and cultural works from this period approached questions of migration, exclusion, and identity. Covering an extensive ranges of topics including anticolonialist writing, the erotics of queer modernist poetry, interracial desire, and the racial gaze in silent film, the book shows the diverse and multiethnic nature of literary and cultural production from a crucial period in modern formations of race as well as literary and cultural aesthetics."--
CN - PS153.A84 A813 2021
CY - Cambridge, United Kingdom ; New York, NY
DA - 2021///
PY - 2021
DP - Library of Congress ISBN
VL - 1
SP - 121
EP - 135
PB - Cambridge University Press
SN - 978-1-108-83083-6
KW - American literature
KW - Asian American authors History and criticism
KW - Asian Americans in literature
ER -
TY - CHAP
TI - The Wild (North)West: Chinese Immigration, Crime, and the Canadian Border in Film
AU - Gates, Philippa
T2 - Screening justice: Canadian crime films, culture and society
A2 - Greenhill, Pauline
A2 - Kohm, Steven A.
A2 - Bookman, Sonia
AB - "Screening Justice in Canada is a scholarly exploration of films that focus centrally on crime and justice in Canada. Defining Canadian crime films as those that focus significantly on crime and its consequences in Canadian society, the book is as much about the ways crime films provide vehicles for understanding what it means to be Canadian as it is about the depiction and representation of crime and justice in Canadian cinema and television. The films examined in this book span all regions of Canada and include case studies of films set in Newfoundland and Labrador, Nova Scotia, Nunavut, British Columbia's Lower Mainland, the Canadian prairies, Ontario, and Quebec. Moreover, Canadian crime films produced from the 1930s to the present are included in these analyses. Contributors to this multi-and interdisciplinary volume are drawn from Criminology, Criminal Justice Studies, English literature, Art History, Film Studies and Communications, Cultural Anthropology, Sociology and Women's and Gender Studies. This is the first comprehensive Canadian volume on crime films that takes up cultural criminology's call for more critical scholarly analyses of the interplay between crime, culture, and society. Adopting American criminologist Nicole Rafter's concept "popular criminology," the essays in this volume all take crime films seriously as popular efforts to understand the causes, consequences and meanings of crime in Canadian society."--
CN - PN1995.9.C66 S37 2017
CY - Halifax
DA - 2016///
PY - 2016
DP - Library of Congress ISBN
SP - 22
EP - 39
PB - Fernwood Publishing
SN - 978-1-55266-816-0
KW - History and criticism
KW - Canada
KW - Crime films
ER -
TY - CHAP
TI - Managing the Classical Hollywood Musical’s Dancing Bodies: ‘Morality’ and Glamour
AU - McLean, Adrienne L.
T2 - Oxford Handbook on American Film History
A2 - Lewis, Jon
CY - Oxford, UK
DA - Forthcoming
PY - Forthcoming
PB - Oxford University Press
ER -
TY - CHAP
TI - Makeup and Hair: Forgotten Folks and Famous Experts
AU - McLean, Adrienne L.
T2 - Hollywood Unions
A2 - Fortmueller, Kate
A2 - Marzola, Luci
CY - New Brunswick, New Jersey
DA - Forthcoming
PY - Forthcoming
PB - Rutgers University Press
ER -
TY - BOOK
TI - All for Beauty: Makeup and Hairdressing in Hollywood's Studio Era
AU - McLean, Adrienne L.
AB - "Ever wonder why so many stars and featured players, male or female, in movies of Hollywood's "Golden Age" look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty, organized as a chronological industrial history, examines how and why makeup and hairdressing evolved as crafts designed partly to maintain the white flawlessness of men and women as a value in the studio era. Through what came to be known as beauty makeup in film after film, decade after decade, the crafts and their extensive artistry were used to cue spectators to admire certain characters and to ignore or dismiss others largely based on appearance. All for Beauty pays particular attention to the labor force, exploring the power and influence of cosmetics inventor and manufacturer Max Factor and the Westmore dynasty of makeup artists but also the contributions of others, many of them women, whose names are far less known. At the end of the complex, exciting, and at times dismaying chronicle, it is likely that readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating not just fictional characters but stars as emblems of an idealized and undeniably mesmerizing visual perfection"--
CN - PN1995.9.M25 M35 2022
CY - New Brunswick, New Jersey
DA - 2022///
PY - 2022
DP - Library of Congress ISBN
PB - Rutgers University Press
SN - 978-1-978831-37-7 978-0-8135-6358-9
ST - All for beauty
N1 - Introduction: Art and science in the service of loveliness -- Makeup and hairdressing as studio crafts : the silent period -- The classical period : craft identity and the labor force -- The classical period : department practices and the commerce of expertise -- Cosmetics, coiffures, and characterization -- Epilogue: Trophy faces
KW - History
KW - 20th century
KW - Motion pictures
KW - Biography
KW - California Los Angeles
KW - Production and direction History
KW - Beauty operators
KW - Film hairstyling
KW - Film makeup
KW - Makeup artists
ER -
TY - BOOK
TI - Costume, Makeup, and Hair
T2 - Behind the silver screen
A3 - McLean, Adrienne L.
AB - "Movie buffs and film scholars alike often overlook the importance of makeup artists, hair stylists, and costumers. With precious few but notable exceptions, creative workers in these fields have received little public recognition, even when their artistry goes on to inspire worldwide fashion trends"--
CN - PN1995.9.M25 C67 2016
CY - New Brunswick, New Jersey
DA - 2016///
PY - 2016
DP - Library of Congress ISBN
SP - 235
PB - Rutgers University Press
SN - 978-0-8135-7152-2 978-0-8135-7151-5
KW - United States
KW - Motion pictures
KW - Production and direction History
KW - Film makeup
KW - ART / History / Contemporary (1945-)
KW - Costume
KW - DESIGN / Fashion
KW - DESIGN / Textile & Costume
KW - Hairdressing
KW - HEALTH & FITNESS / Beauty & Grooming
ER -
TY - CHAP
TI - The Faces of Ginger: Beauty Makeup, Facial Acting and Hollywood Stardom
AU - McLean, Adrienne L.
T2 - Faces on Screen: New Approaches
A2 - Maurice, Alice
CY - Edinburgh
DA - 2022///
PY - 2022
DP - K10plus ISBN
LA - eng
PB - Edinburgh University Press
SN - 978-1-4744-9378-9
ER -
TY - CHAP
TI - «Le glamour et le corps dansant dans la comédie musicale hollywoodienne» [Glamour and the Dancing Body in the Hollywood Musical]
AU - McLean, Adrienne L.
T2 - Le Musical hollywoodien: Histoire, esthétique, création
A2 - Binh, N. T.
A2 - Moure, José
T3 - Caméras subjectives
AB - "Cyd Charisse et Fred Astaire marchent côte à côte dans un parc nocturne. Ils traversent sans s'arrêter une piste de danse où évoluent des couples, puis se retrouvent seuls dans un espace éclairé par la lune, tandis que la musique a changé de mélodie. Ils ne marchent déjà plus et ne dansent pas encore. Ce moment iconique de 'Tous en scène' ('The Band Wagon', 1953), mis en scène par Vincente Minnelli, produit par Arthur Freed pour la MGM, chorégraphié par Michael Kidd sur une musique d'Arthur Schwartz, est exemplaire d'un genre, le musical classique hollywoodien, qui célèbre l'art de la transition entre un réel quotidien et un imaginaire magique, fantasmé, spectaculaire. Comment ce genre cinématographique est-il né et a-t-il évolué? Quelle relation garde-t-il avec ses origines théâtrales? À quel point a-t-il réussi à conjuguer la singularité d'une vision créatrice et la collaboration d'incomparables savoir-faire? Sous quelle forme se perpétue-t-il jusqu'à aujourd'hui? Du 'Chanteur de jazz' (1927) à 'La La Land' (2016), en passant par le génie de Busby Berkeley, de Gene Kelly et de Bob Fosse, ou par les réflexions inédites de Ginger Rogers, cet ouvrage qui réunit les meilleurs spécialistes du musical tente de répondre à ces questions, en remontant aux sources de notre bonheur"--Page 4 of cover
CN - PN1995.9.M86 M8723 2021
CY - Bruxelles
DA - 2021///
PY - 2021
DP - Library of Congress ISBN
SP - 157
EP - 184
PB - Les Impressions nouvelles
SN - 978-2-87449-869-5
KW - United States
KW - History and criticism
KW - Motion pictures
KW - Production and direction History
KW - Musical films
ER -
TY - CHAP
TI - En toute impunité”: la Production Code Administration et le corps dansant» [“We Got Away with Murder”: The Production Code Administration and the Dancing Body]
AU - McLean, Adrienne L.
T2 - Politiques du musical hollywoodien
A2 - Ledoux, Aurélie
A2 - Toulza, Pierre-Olivier
CN - PN1995.9.M86 P65 2020
CY - Nanterre
DA - 2020///
PY - 2020
DP - Library of Congress ISBN
SP - 79
EP - 98
PB - Presses universitaires de Paris Nanterre
SN - 978-2-84016-349-7
KW - Political aspects
KW - United States
KW - History and criticism
KW - Moral and ethical aspects
KW - Musical films
ER -
TY - CHAP
TI - Give Them a Good Breakfast Says Nancy Carroll’: Fan Magazine Advice Across Time
AU - McLean, Adrienne L.
T2 - Star attractions: twentieth-century movie magazines and global fandom
A2 - McDonald, Tamar Jeffers
A2 - Lanckman, Lies
T3 - Fandom & culture
AB - "This first of its kind examination turns the spotlight on the fan magazines of the "classic Hollywood" era, which famously fed obsessions with celebrities such as Mae West and Elvis Presley. In their heyday, from the 1920s to the 1950s, about twenty major fan magazines were on offer every month at American newsstands, with even more offered in other countries. However, film studies scholars often still regard these publications with suspicion, perhaps due to the magazines' reputation for purveying scandal and gossip, and their frequent mingling of gushing tone and blatant falsehood. However, by treating these movie magazines as primary sources, the contributors are able to gain unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer. As a result, they find these fan magazines to be a huge and hitherto largely untapped resource on a wealth of subjects, including appropriate gender roles, appearance and behavior, and national identity. Essayists address three key areas: the variety of periodicals published under the movie or fan magazine rubric; the magazines' widespread emphasis on stars, fans, and the interaction of the two; and international variations on the original American model. Combining innovative scholarship with an entertaining subject matter, this collection on an understudied yet powerful cultural medium is sure to appeal to film, media, fan, and popular culture studies scholars alike, not to mention film buffs of Hollywood's "golden era.""--
CN - PN4836 .S73 2019
CY - Iowa City
DA - 2019///
PY - 2019
DP - Library of Congress ISBN
SP - 11
EP - 28
PB - University of Iowa Press
SN - 978-1-60938-673-3
KW - History
KW - 20th century
KW - Fan magazines
ER -
TY - JOUR
TI - Reconsidering the Network Era: 16mm film on television
AU - Hughes, Kit
T2 - Journal of Cinema and Media Studies
DA - 2023///
PY - 2023
VL - 62
IS - 2
SP - 177
EP - 182
ER -
TY - BOOK
TI - Television at Work: Industrial Media and American Labor
AU - Hughes, Kit
CY - Oxford, UK
DA - 2020///
PY - 2020
PB - Oxford Uninversity Press
ER -
TY - JOUR
TI - Market Research as Portraiture: Thomas Hope Sketches the Audiovisual Industry
AU - Hughes, Kit
DA - 2020///
PY - 2020
VL - 19
IS - 2
SP - 1
EP - 25
ER -
TY - JOUR
TI - Developing the Student-Citizen of Finance: Sponsored Film at The New York Stock Exchange, 1947-1973
AU - Hughes, Kit
T2 - Historical Journal of Film, Radio and Television
DA - 2020///
PY - 2020
VL - 40
IS - 2
SP - 325
EP - 348
ER -
TY - JOUR
TI - “Disposable: Useful Cinema on Early Television
AU - Hughes, Kit
T2 - Critical Studies in Television
DA - 2017///
PY - 2017
VL - 12
IS - 2
SP - 102
EP - 120
ER -
TY - CHAP
TI - Field Sketches with Arclight: Mapping the Industrial Film Sector;
AU - Hughes, Kit
T2 - Arclight Guidebook to Media History and the Digital Humanities
A2 - Hoyt, Eric
A2 - Acland, Charles
CY - Sussex
DA - 2016///
PY - 2016
PB - REFRAME Books
ER -
TY - JOUR
TI - Record/Film/Book/Interactive TV: EVR as Threshold Format
AU - Hughes, Kit
T2 - Television & New Media
DA - 2016///
PY - 2016
VL - 17
IS - 1
SP - 44
EP - 61
ER -
TY - JOUR
TI - “Hacking Radio History’s Data: Station Call Signs, Digitized Magazines, and Scaled Entity Search
AU - Hughes, Kit
AU - Hoyt, Eric
AU - Long, Derek
AU - Ponto, Kevin
AU - Tran, Tony
T2 - Media Industries Journal
DA - 2015///
PY - 2015
VL - 2
IS - 2
ER -
TY - JOUR
TI - ‘For Pete’s sake, I’m not trying to entertain these people’: Film and Franchising at International Harvester
AU - Hughes, Kit
T2 - Film History
DA - 2015///
PY - 2015
VL - 27
IS - 3
SP - 41
EP - 72
ER -
TY - BOOK
TI - “There are No Hispanic Stars!”: Collected Writings of a Latino Film Critic in Hollywood 1921-1939
AU - Navarro, Gabriel
A3 - Gunckel, Colin
A3 - Serna, Laura Isabel
AB - "First English translations of three works of short fiction and a selection of articles from the 1920s and 1930s by Los Angeles cultural critic Gabriel Navarro. Navarro's columns, published in regional Spanish-language newspapers, focus primarily on the film industry"--
CN - PN1998.3.N3817
CY - Los Angeles
DA - 2023///
PY - 2023
DP - Library of Congress ISBN
SP - 1
LA - eng
PB - UCLA Chicano Studies Research Center Press
SN - 978-0-89551-205-5
ST - "There are no Hispanic stars!"
KW - Film criticism
KW - Navarro, Gabriel
KW - Short stories
KW - Translations into English
ER -
TY - JOUR
TI - Atmosphere.: Mexican Extras and the Production of Race in Silent Hollywood
AU - Serna, Laura Isabel
T2 - Journal of Cinema and Media Studies
DA - 2023///
PY - 2023
VL - 63
IS - 2
ER -
TY - CHAP
TI - Cine-Mundial: Circuits of Culture in the First Half of the 20th Century
AU - Serna, Laura Isabel
T2 - Moving Image Periodicals: Histories
A2 - Hoyt, Eric
A2 - Conway, Kelley
DA - Forthcoming
PY - Forthcoming
ER -
TY - CHAP
TI - Estudios Churubusco: A Transnational Studio for a National Industry
AU - Serna, Laura Isabel
T2 - In the Studio: Visual Creation and Its Material Environments
A2 - Jacobson, Brian
CY - Berkeley, Calif.
DA - 2020///
PY - 2020
PB - University of California Press
ER -
TY - BOOK
TI - Beyond the Movie Theater: Sites, Sponsors, Uses, Audiences
AU - Waller, Gregory
CY - Berkeley, Calif.
DA - 2023///
PY - 2023
PB - University of California Press
ER -
TY - CHAP
TI - The American Petroleum Institute: Sponsored Motion Pictures in the Service of Public Relations
AU - Waller, Gregory
T2 - Petrocinema: Sponsored Film and the Oil Industry
A2 - Vonderau, Patrick
A2 - Dahlquist, Marina
CY - New York
DA - 2021///
PY - 2021
SP - 136
EP - 161
PB - Bloomsbury
ER -
TY - CHAP
TI - Nonfiction Film in and out of the Moving Picture Theater: Roosevelt in Africa (1910)
AU - Waller, Gregory
T2 - A Companion to Documentary Film History
A2 - Malitsky, Joshua
CY - Hoboken, New Jersey
DA - 2021///
PY - 2021
DP - DOI.org (Crossref)
SP - 401
EP - 420
LA - en
PB - Wiley Blackwell
SN - 978-1-119-11617-2
UR - https://onlinelibrary.wiley.com/doi/book/10.1002/9781119116172
Y2 - 2023/07/27/03:01:21
ER -
TY - CHAP
TI - Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition
AU - Waller, Gregory
T2 - Provenance and early cinema
A2 - Bernardi, Joanne
A2 - Cherchi Usai, Paolo
A2 - Williams, Tami
A2 - Yumibe, Joshua
T3 - Early cinema in review : proceedings of Domitor
AB - "As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives."--
CN - TR886.3 .P76 2020
CY - Bloomington, Indiana
DA - 2020///
PY - 2020
DP - Library of Congress ISBN
SP - 247
EP - 257
PB - Indiana University Press
SN - 978-0-253-05299-5
KW - Archival resources
KW - Motion picture film
KW - Motion picture film collections
KW - Preservation
KW - Art
KW - Cinémathèques
KW - Conservation
KW - Films (Pellicules cinématographiques)
KW - Fonds d'archives
KW - Provenance
ER -
TY - CHAP
TI - Institutionalizing Educational Cinema in the United States during the Early 1920s
AU - Waller, Gregory
T2 - The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s
A2 - Dahlquist, Marina
A2 - Frykholm, Joel
CY - Bloomington, Indiana
DA - 2019///
PY - 2019
DP - DOI.org (Crossref)
SP - 220
EP - 250
PB - Indiana University Press
SN - 978-0-253-04522-5 978-0-253-04519-5
UR - http://www.jstor.org/stable/10.2307/j.ctvs89dg2
Y2 - 2023/07/27/03:04:12
ER -
TY - CHAP
TI - The New Non-Theatrical Cinema History?
AU - Waller, Gregory
T2 - The Routledge Companion to New Cinema History
A2 - Biltereyst, Daniël
A2 - Maltby, Richard
A2 - Meers, Philippe
T3 - Cinema studies/film history
CY - New York
DA - 2019///
PY - 2019
DP - K10plus ISBN
ET - First issued in paperback
SP - 55
EP - 63
LA - eng
PB - Routledge
SN - 978-0-367-65957-8 978-1-138-95584-4
L1 - https://www.gbv.de/dms/bowker/toc/9780367659578.pdf
ER -
TY - CHAP
TI - Advertising with Moving Pictures: International Harvester’s The Romance of the Reaper (1910-1913)
T2 - The Image in Early Cinema: Form and Material
A2 - Curtis, Scott
A2 - Gauthier, Philippe
A2 - Gunning, Tom
A2 - Yumibe, Joshua
CY - Bloomington, Indiana
DA - 2018///
PY - 2018
DP - DOI.org (Crossref)
SP - 194
EP - 202
PB - Indiana University Press
SN - 978-0-253-03440-3
UR - https://www.jstor.org/stable/10.2307/j.ctv6p40j
Y2 - 2023/07/27/03:07:40
ER -
TY - BOOK
TI - Independent Stardom: Freelance Women in the Hollywood Studio System
AU - Carman, Emily
T2 - Texas Film and Media Studies Series
CN - PN1995.9.W6 C296 2016
CY - Austin
DA - 2016///
PY - 2016
DP - Library of Congress ISBN
SP - 220
PB - University of Texas Press
SN - 978-1-4773-0731-1 978-1-4773-0781-6
ST - Independent stardom
KW - History
KW - Motion picture actors and actresses
KW - Motion picture industry
KW - California Los Angeles
KW - Hollywood (Los Angeles, Calif.)
KW - Women in the motion picture industry
ER -
TY - JOUR
TI - "Film History Comes Alive: Primary Materials Research as Participatory Pedagogy
AU - Carman, Emily
T2 - Cinema Journal Teaching Dossier
A2 - Serna, Laura Isabel
A2 - Fortmueller, Kate
DA - 2017/06//
PY - 2017
VL - 4
IS - 3
ER -
TY - CHAP
TI - Margaret’s World: The Creative Geography of an Amateur Filmmaker
AU - Tepperman, Charles
T2 - Submitted for publication in Cinema in the Eye of the Collector
A2 - Habib, André
A2 - Hidalgo, Santiago
A2 - Pelletier, Louis
A2 - Sirois-Trahan, Jean-Pierre
CY - Amsterdam
DA - Forthcoming
PY - Forthcoming
PB - Amsterdam University Press
ER -
TY - GEN
TI - Timeline of Historical Film Colors
AU - Flueckiger, Barbara
DA - 2012///
PY - 2012
UR - https://filmcolors.org/
KW - BF
KW - CTT
KW - DHQ
KW - Film Colors
KW - MontageAV
ER -
TY - CHAP
TI - Narrative Cinema as a Separate Attraction: Archie L. Shepard's Newspaper Publicity
AU - Moore, Paul S.
T2 - New Perspectives on Early Cinema History: Concepts, Approaches, Audiences
A2 - Slugan, Mario
A2 - Biltereyst, Daniël
AB - In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.
The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.
They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.
DA - 2022///
PY - 2022
DP - DOI.org (Crossref)
ET - 1
LA - en
PB - Bloomsbury Publishing Plc
SN - 978-1-350-18200-4 978-1-350-18197-7
UR - https://www.bloomsburycollections.com/book/new-perspectives-on-early-cinema-history-concepts-approaches-audiences
Y2 - 2023/08/15/18:33:57
L1 - https://psmoore.ca/wp-content/uploads/2022/12/2022-Moore-NewPerspectivesEarlyCinema.pdf
ER -
TY - JOUR
TI - “Bought, Sold, Exchanged and Rented”: The Early Film Exchange and the Market in Secondhand Films in New York Clipper Classified Ads
AU - Moore
T2 - Film History
DA - 2019///
PY - 2019
DO - 10.2979/filmhistory.31.2.01
DP - DOI.org (Crossref)
VL - 31
IS - 2
SP - 1
J2 - Film History
LA - en
SN - 08922160
ST - “Bought, Sold, Exchanged and Rented”
UR - https://muse.jhu.edu/article/733399
Y2 - 2023/08/15/18:35:41
L1 - https://psmoore.ca/wp-content/uploads/2020/07/2019-Moore-FilmHistory-SecondHand.pdf
ER -
TY - CHAP
TI - A ‘Distant Reading’ Of The ‘Chaser Theory’: Local Views And The Digital Generation Of New Cinema History
AU - Moore, Paul
T2 - Technology and Film Scholarship
A2 - Hidalgo, Santiago
A2 - Gaudreault, André
AB - What can the digital generation of film history add to past analog methods? This chapter revisits the ‘chaser theory’ through searches in digital databases of historic newspapers. Did f ilmed actualities and attractions really act as mere ‘chasers’ on vaudeville bills? Charles Musser’s debate with Robert Allen in 1984 remains a touchstone of American film history. In principle, digital search results allow the structure of mass practices to be visualized, following Franco Moretti’s call for ‘distant readings’ of textual relations, against ‘close readings’ of canonical texts. This chapter offers two visualizations of digital searches of historic newspapers across North America and focuses on the adoption of ‘local views’ by itinerant picture shows after the supposed end of the ‘chaser’ period.
DA - 2017/12/31/
PY - 2017
DP - DOI.org (Crossref)
SP - 169
EP - 192
LA - en
PB - Amsterdam University Press
SN - 978-90-485-2527-0
ST - 7. A ‘Distant Reading’ Of The ‘Chaser Theory’
UR - https://www.degruyter.com/document/doi/10.1515/9789048525270-010/html
Y2 - 2023/08/15/18:36:29
L1 - https://psmoore.ca/wp-content/uploads/2019/06/2018-Moore-ChaserTheory.pdf
ER -
TY - CHAP
TI - Paramount Pictures, National Advertising Agencies, and the Conspicuous Distribution of First-Run Feature Films in the United States
AU - Moore, Paul S.
T2 - The Oxford Handbook of Silent Cinema
A2 - Keil, Charlie
A2 - King, Rob
T3 - Oxford Handbooks
AB - With thirty-four original chapters from three dozen top scholars, The Oxford Handbook of Silent Cinema provides a thoughtful and provocative re-examination of a medium that would become the dominant form of mass entertainment by the second decade of the twentieth century. The volume is arranged around a series of broad topics: the "invention" of cinema as both technology and medium; the intermedial development of film aesthetics and genres; nontheatrical and non-commercial uses of cinema; the political economy of Hollywood mass culture; film and global modernities; and silent cinema's publics and counter-publics.The historiographical essays in this collection engage with the question of how we might rethink silent film history, especially in the context of the developed media ecosystem that defined the early 1900s. Influenced by methodologies as diverse as media archaeology and industrial studies, and sensitive to both the textual contours of silent films and the cultural, economic, and ideological currents that helped shape them, the Oxford Handbook of Silent Cinema invites its reader to envision its object in expansive terms that incorporate the propulsive energy of the first decades of the 1900s and deploy the analytical frameworks of the current day.
,
With thirty-four original chapters from three dozen top scholars, The Oxford Handbook of Silent Cinema provides a thoughtful and provocative re-examination of a medium that would become the dominant form of mass entertainment by the second decade of the twentieth century. The volume is arranged around a series of broad topics: the "invention" of cinema as both technology and medium; the intermedial development of film aesthetics and genres; nontheatrical and non-commercial uses of cinema; the political economy of Hollywood mass culture; film and global modernities; and silent cinema's publics and counter-publics.The historiographical essays in this collection engage with the question of how we might rethink silent film history, especially in the context of the developed media ecosystem that defined the early 1900s. Influenced by methodologies as diverse as media archaeology and industrial studies, and sensitive to both the textual contours of silent films and the cultural, economic, and ideological currents that helped shape them, the Oxford Handbook of Silent Cinema invites its reader to envision its object in expansive terms that incorporate the propulsive energy of the first decades of the 1900s and deploy the analytical frameworks of the current day.
CY - Oxford, New York
DA - 2024///
PY - 2024
DP - Oxford University Press
PB - Oxford University Press
SN - 978-0-19-049669-2
L2 - https://global.oup.com/academic/product/the-oxford-handbook-of-silent-cinema-9780190496692?cc=us&lang=en
ER -